The one thing I found missing from Ms. Seekamp's
massive 2004 catalog of Duchamp's Readymades was an orderly list,
so I've made a chronological index to the detail pages of
Unmaking the Museum: Marcel Duchamp's Readymades in Context.
I collapsed her categories of
Main,
Core, and
Late
Readymades and included an {appelation} with a precis for reference.
I make no value judgements vis their purity of essence,
but still, some are listed as {readymade?}.
As to the selection criteria here is a horribly reduced summary of
the Seekamp
Readymade Rules of Order.
While I might have minor quibbles I think these criteria
provide a good fit to contemporary art.
"The curious thing about the Readymade is that I've never been
able to arrive at a definition or explanation that fully satisfies me."
Marcel Duchamp (Tomkins, C: Duchamp: A Biography)
And with that, here is the list...
1910 | |
---|---|
Bilboquet {readymade?} |
A wooden toy, signed and given as a gift. May be considered a Readymade in post hoc analysis. Original lost. |
1913 | |
Bicycle Wheel {assisted} |
The famous meeting of a bicycle wheel on a kitchen stool. Original lost. Multiple replicas. |
1913-14 | |
Standard Stoppages {readymade?} |
String glued to boards used for making non-standard measurements. Original in NYMoMA. Two replicas. |
1914 | |
Bottle Rack {unassisted} |
(What may be) a common item selected and signed. Original lost. Multiple replicas. |
Pharmacy {rectified} |
Landscape print with two added drops of color. Three originals, two lost and one in private collection. One later replica and an edition of 100 hand colored prints. |
1915 | |
Reciprocal Readymade {reciprocal 'proposal'} |
Proposal made in the Green Box Notes around 1915,
possibly including the Rembrandt suggestion. Never executed. |
Emergency in Favor of Twice {unassisted} |
Suggestion for a work made in a letter to his sister Suzanne in which "Readymade" is first used. Original is lost or unrealized. |
Pulled at Four Pins {unassisted} |
Unpainted tin chimney cowl of which a copper plate etching was made. Original lost. One print made from the plate in 1964. |
Shovel {unassisted} |
The first American Readymade purchased in a NY hardware store. Original lost. First replica made for the 1945 Yale show. Multiple subsequent replicas. |
1916 | |
Battle Scene {readymade} |
A mural of a battle scene on the wall of a NY Cafe, signed by Duchamp while dining with the Arensbergs. Original was destroyed. |
Comb {rectified} |
A inscribed steel comb dated as to the exact hour of its creation. Original in Philadelphia. Multiple replicas. |
With Hidden Noise {assisted} |
An assemblage completed with an unknown object that makes sound when shaken. Original in Philadelphia. Multiple replicas. |
Traveller's Folding Item {unassisted} |
An empty typewriter cover that can be folded and taken on a trip. Original lost. Multiple replicas. |
1916-17 | |
Apolinere Enameled {rectified} |
Altered advertisement plaque for a paint brand. Original in Philadelphia. Multiple replicas. |
1917 | |
Fountain {assisted} |
The notorious urinal entered into and (mainly) rejected from the first Society of Independent Artists exhibition in New York on April 10, 1917. Original lost. Multiple replicas. |
Hat Rack {assisted} |
A common household item suspended from the ceiling. Original lost. Replica edition made in 1964. |
Trap {assisted} |
Another common household item bolted to the floor. Original lost. Replica edition made in 1964. |
1918 | |
French Military Paper {unassisted} |
Expunged list made by Duchamp while working for the French government in NYC during WWI. Present location unknown. |
Sculpture for Travelling {readymade?} |
Soft sculpture made from strips of rubber bathing caps. Multiple originals lost while traveling. One replica by Richard Hamilton for 1966 Tate exhibition. |
1918-19 | |
Hand Stereoscopy {rectified?} |
A stereo-slide of a seascape with a pencil-drawn geometrical figure,
generally ignored as a Readymade. Original in NYMoMA. No known reproduction attempts. |
1919 | |
L.H.O.O.Q. {rectified} |
The well known icon with a well known case of hirsutism. Original in private collection. Multiple cases of versions and replicas. |
Paris Air {unassisted} |
A container containing air from Paris. Original, broken and replaced, in Philadelphia. Multiple replicas. |
Tzanck Check {'imitated' rectified} |
A hand drawn check made out to Duchamp's dentist and later repurchased. Original in private collection. |
Unhappy Readymade {readymade?} |
A geometry textbook exposed to the elements by Duchamp's sister. Original destroyed in the process of creation. Suzanne Duchamp-Crotti, Marcel Duchamp's Unhappy Readymade, 1920, oil on canvas, is the only survivor. |
1920 | |
Corkscrew's Shadow {readymade?} |
A shadow detail in the painting T um' done for K. Dreier. Original never executed. |
Dust Breeding {readymade?} |
Photograph by Man Ray of dust on the Large Glass. Original in Fotomuseum Winterthur. One contact print and ten prints from original negative. |
Fresh Widow {readymade?} |
Small french window frame with polished leather panes made by a NY carpenter. Original in NYMoMA. Multiple replicas. |
1921 | |
Belle Haleine {assisted} |
Perfume bottle with altered label containing image of Rrose Selavy. Original in private collection. |
Brawl at Austerlitz {readymade?} |
Miniature window with faux-brick painted surface on wooden base. Original in Staatsgalerie Stuttgart. |
Why Not Sneeze {assisted} |
Bird(?) cage with marble cubes, a cuttle fish bone, and a thermometer. Original in Philadelphia. Multiple replicas. |
1922 | |
Non Dada {unassisted} |
Religious pamphlet sent to Man Ray from the US with note signed by Rrose. Original in private collection. |
1923 | |
Wanted {rectified} |
Modified novelty poster from a NY restaurant. Original in private collection. Reproduced as poster for 1963 Pasadena show. |
1924 | |
Monte Carlo Bond {rectified} |
Photocollaged "bond" ostensibly to finance the playing of roulette. Original (may be) in NYMoMA. Multiple prints made. |
1927 | |
Door, 11 rue Larrey {readymade} |
Door with two openings constructed at Duchamp's instruction in his Paris studio. Original in private collection. One existing replica and two full-scale photographs. |
1935-41 | |
Box in Valise {readymade} |
Replicas of significant Duchamp works in a traveling suitcase. Original edition of seven (assembled by Joseph Cornell). Multiple subsequent replicas. |
1943 | |
Pocket Chess Set {rectified} |
Leather pocket chess board with "men" of Duchamp's design. Multiple originals. Multiple later replicas. |
1957 | |
The Locking Spoon {'semi' rectified} |
A metal spoon attached to a door lock. Refers to a pun: "Du dos de la cuiller au cul de la douairiere". Original lost. |
Waistcoat {rectified} |
Lord & Taylor waistcoat with modified buttons spelling TEENY. Original in Collection Alexina (Teeny) Duchamp. Multiple replicas. |
1958 | |
Water and Gas on Every Floor {'imitated' readymade} |
A signed reproduction of a real sign. Original unknown. Used as book cover art for Sur Marcel Duchamp |
1959 | |
Laundress' Apron {'imitated' 'rectified' readymade} |
(Plaid) aprons modified with simulated sexual organs. One original, with an edition of 20 included in the deluxe version of the catalog for Exposition Internationale de Surrealisme. |
1965 | |
LHOOQ Shaved {readymade} |
A playing card used as the cover for a dinner invitation. Unknown sized edition in unknown locations. |
Urn with Ashes {'provoked' readymade} |
Black clay urn containing the ashes of a cigar Duchamp smoked at, and the minutes of, a Dada Dinner in Paris. Original in private collection. |
1966 | |
Homage to Caissa {readymade} |
A wooden chessboard signed by Duchamp. Ten of a projected edition of 30 produced. |